Studio Ceramics (Victoria and Albert Museum) – Alun Graves & Tanya Harrod

British Studio Pottery 1900 to Now


Contemporary ceramicists working in Britain, including Rachel Kneebone, Grayson Perry and Edmund de Waal, are part of a broader international group of artists experimenting with clay, considering how it intersects and works in dialogue with other art forms and with culture at large. 

Recent experimentation with the medium owes much to the rapid evolution of ceramics into an expanded field, and to the work of mid- to late 20th-century potters and their reinvention of ceramics as a radical and contemporary art practice. The pioneering methods and rethinking of form in the work of exponents such as Bernard Leach, Michael Cardew, Lucie Rie, Hans Coper and Alan Caiger-Smith – whose reference points were drawn from East Asia, Africa, the ancient Mediterranean and the Middle East as much as from their own heritage – continue to influence and inspire contemporary makers. 

In his introductory essay, Alun Graves, Senior Curator at the Victoria and Albert Museum, London, provides all lovers of ceramics – collectors, practitioners, historians and those interested in modern and contemporary art and crafts – with the historical context, documenting the medium’s shift into an expressive, and sometimes interventionist, art form. 

An extensive visual catalogue, Studio Ceramics is the primary reference for 20th-century and contemporary British studio ceramics, and a record of the national collection of British ceramics held at the V&A.

We love the collaborations between the V&A and Thames & Hudson when they create books together. The combination of expert knowledge, outstanding collections and beautiful book publishing always creates something special. In Studio Ceramics by Alun Graves we have another wonderful example, this is a stunning book

Alun Graves gives a very comprehensive and fascinating overview of the development of ceramics, followed by an illustrated timeline of different examples, plus an A-Z of leading artists in the field.
There are over 900 illustrations and the photography is stunning, particularly in the timeline, where full pages are devoted to the most imaginative pieces. 

This outstanding book is a wonderful source of inspiration for aspiring ceramic artists and collectors, but also encourages readers to seek out individual creatives, who may be working locally, creating beautiful individual pieces to add to our own collections. 
Highly Recommended!